Journal of the stylistic of Persian poem and prose
volume Number 16، number In Volume 12، March 2024 ، issue Number 94

Review and analysis stylistic aspects of Gholamreza Tarighi Ghazals

Nasibeh Alighadr , Seifaldin Abbarin (Author in Charge), Forough Jalili

Abstract

BACKGROUND AND OBJECTIVES: Iranian contemporary ghazal has its own stylistic distinctions, and contemporary modernist ghazal writers have modernized in different linguistic, rhetorical, literary and thematic dimensions. Knowing the stylistic aspectes of these poets is the result of studying and examining the aforementioned dimensions. The aim of the current research is to study and understand the stylistice aspectes of Gholamreza Tarighi"s ghazals as one of the contemporary poets. Studying the linguistic, literary and thought dimensions of this ghazals has clarified his stylistic dimensions and tendencies for the audience and has determined the aspects of his modernity in these dimensions.

METHODOLOGY: This research was done based on library sources and descriptiveanalytical method.

FINDINGS: The study of the style of Targhi"s ghazal reveals that he is a modernist ghazal writer and has innovated in different aspects of language, imagery, thought and theme. The language is close to colloquial language and elements of modern and contemporary language, contemporary allusions can be seen in his poetry, and his similes are urban.

CONCLUSION: Tarighi wrote a ghazal in the language of the time, and every kind of word has found a place in his poetry, and he did not divide the words into permissible and non-permissible ones. He mostly uses similes and his similes have an urban root. The ambiguity and illusion is more used in his poetry, and in lexical rhetoric pun are the most used in his poetry. He likes human love and does not consider divine or virtual love.

Keyword
poetry style , Gholamreza Tarighi , Ghazal , linguistic level , literary level , thought level

• Alavi Moghaddam, M. Ashrafzadeh, R. (2012). Rhetoric. Tehran: Samt.
• Alipour, M. (1999). The language structure of contemporary poetry. Tehran: Ferdos.
• Anvari, H. (2004). Sokhan dictionary of Metonymy. Tehran: Sokhan.
• Anzabinejad, Reza and Servat, M. (1987). Contemporary dictionary. Tehran: AmirKabir.
• Bahar, M. T. (1977). Stylistics. 4th ed. Tehran: Parasto-Amirkabir.
• Baraheni, R. (1992). Gold in copper. Tehran: Zaman.
• Behbahani, S. (1999). Memory of some people. Tehran: Alborz.
• Farrokhzad, F. (1976). Wall. 7th ed. Tehran: AmirKabir.
• Fotuhi, M. (2006). Image Rhetoric. Tehran: Sokhan.
• Fotuhi, M. (2011). Stylistics, theories, approaches and methods. Tehran: Sokhan.
• Hasanli, K. (2005). "Innovation in Ghazal". Poetry journal. 14. (46). pp. 27-34.
• Jalali, B. (1998). To live forever and stay at the top. Tehran: Morvarid.
• Kazzazi, M. J. (2011). Aesthetics of Persian speech. Tehran: Markaz.
• Khaleghi Motlagh, J. (1996). "Woman's Perfect Beauty in Iranian Culture". Iranology. 8. pp.703-716.
• Mohammadi. A, Bashiri.A. A. (2012). " New Ghazal and its background ", journal of lyrical literature researches. 10 (18). pp. 121-144.
• Molavi, J. M. (2010). Masnavi Manavi. Ed by Reynolds A. Nicholson. 5th ed. Tehran: Hermes.
• Monzavi, H. (2015). Collection of poems. by Mohammad Fathi's effort. 4th ed. Tehran: Afarinesh and Negah.
• Pournamdarian, T. (2010). Travel in fog. 3rd ed. Tehran: Sokhan.
• Pournamdarian, T. (2012). Travel in fog. Tehran: Negah.
• Rafizadeh Tafti. R, Pourkhaleghi Chatroudi.M, Alizadeh. A (2021). " A Study and Critique of Lexicographical, Linguistic and Innovative Metonymy in One Hundred Years of Persian Colloquial Poetry. (1921-2021)". Journal of the stylistic of Persian poem and prose (Bahar-e- Adab). (15)80, pp. 231-253.
• Safa, Z. (1983). History of Iranian literature. Tehran: Iranian authors and translators company.
• Shafi'i Kadkani, M. R. (2007). Periods of Persian Poetry from Constitutionalism to the Fall of the Monarchy. Tehran: Sokhan.
• Shafi'i Kadkani, M. R. (2010). Imagination in Persian poetry. 8 ed. Tehran: Agah.
• Shafi'i Kadkani, M. R. (2011). Resurrection of words. 3rd ed. Tehran: Sokhan.
• Shamisa, S. (1994). Generalities of stylistics. 2nd ed. Tehran: Ferdos.
• Shiri, Gh. (2009). " Allegory: A New Conception of its Types and Functions". Journal of Kavoshnameh in Persian Language and Literature. 11(20), pp. 33-54.
• Tarighi, G. (2012). Believe in the extension of the cold season. Tehran: Nimaj.
• Tarighi, G. (2013). Every lip is a red pigeon. Tehran: Soore Mehr.
• Tarighi, G. (2013). The world is a lyric Ghazal. Tehran: Nimaj.
• Tarighi, G. (2016). With the memory of your shoulders. Tehran: Nimaj.
• Tarighi, G. (2017). Shaltaq, Tehran: Cheshme.
• Verdonk, Peter. (2013). Stylistics. Translated by Mohammad Ghaffari. 2nd ed. Tehran: Ney.
• Zarghani, M. (2013). The perspective of contemporary Iranian poetry. Tehran: Sales.